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	<title>Gregory Oh, Pianist &#187; Concerts</title>
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		<title>Playing@the Music gallery, Toca Loca CD Release</title>
		<link>http://gregoryoh.com/uncategorized/playingthe-music-gallery-toca-loca-cd-release/</link>
		<comments>http://gregoryoh.com/uncategorized/playingthe-music-gallery-toca-loca-cd-release/#comments</comments>
		<pubDate>Tue, 26 Jan 2010 03:48:11 +0000</pubDate>
		<dc:creator>Greg</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Concerts]]></category>
		<category><![CDATA[Toca Loca]]></category>

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		<description><![CDATA[Toca Loca Sort of CD Release Kinda:  We&#8217;re not playing anything from the CD, but&#8230;
Saturday, February 27, 2010, 8:00pm &#8211; 10:00pm
Music Gallery, 197 John Street north of Queen (Osgoode TTC)
We hope you&#8217;ll join us at the Music Gallery this February 27th for a bit of music and an afterparty (sponsored by our label, Centrediscs). [...]]]></description>
			<content:encoded><![CDATA[<p>Toca Loca Sort of CD Release Kinda:  We&#8217;re not playing anything from the CD, but&#8230;<br />
Saturday, February 27, 2010, 8:00pm &#8211; 10:00pm<br />
Music Gallery, 197 John Street north of Queen (Osgoode TTC)</p>
<p>We hope you&#8217;ll join us at the Music Gallery this February 27th for a bit of music and an afterparty (sponsored by our label, Centrediscs). We hardly ever play Toronto these days, and having already released our CD in Berlin and Vancouver, we&#8217;re glad to finally introduce it to our hometown. More importantly, it&#8217;ll be nice to see (hopefully) some friends and have a drink, yes?</p>
<p><span id="more-156"></span>We won&#8217;t actually be playing anything from the album &#8211; instead, we&#8217;ll be taking a rare solo turn, each playing some of our favourite repertoire, including:</p>
<p>That which is bodiless is reflected in bodies &#8211; Matthew Burtner<br />
lliK &#8211; Christopher Fox<br />
AK-47 &#8211; Matthew Hindson<br />
Grains &#8211; Unsuk Chin<br />
Prelude and Fugue &#8211; Andre Ristic</p>
<p>800-820 opening act TBA<br />
830-915 Toca Loca plays<br />
915- join us for nerdy good times in the fellowship room</p>
<p>Admission $10 or $15 with a CD. If you&#8217;re strapped for cash, lemme know and we&#8217;ll figure something out.</p>
<p>THE CRITICS LOVE US</p>
<p>&#8220;Toca Loca&#8230;clearly believe that contemporary music should grab the listener as much as any other kind&#8230;they put on a passionate, disciplined performance that at times rocked harder than many shows I&#8217;ve heard in clubs.&#8221; &#8211; Globe and Mail</p>
<p>&#8220;The overall feel is of overhearing a reading of an off-Broadway musical&#8230;it&#8217;s great to hear new music experts let their hair down.&#8221; &#8211; Exclaim</p>
<p>&#8220;between the trio’s classical chops and its newfound techno soul, minds may well be blown.&#8221; &#8211; The Georgia Straight</p>
<p>&#8220;stands to be an explosive, brain-busting highlight&#8221; &#8211; EYEWEEKLY</p>
<p>&#8220;By far, one of my favourite shows from the past season&#8230;the musicianship of the trio is really unprecedented&#8221; &#8211; the Wholenote</p>
<p>(3.5 stars out of 4) &#8220;There&#8217;s no shortage of amusing gambits on this album&#8230;&#8221; &#8211; Globe and Mail</p>
<p>&#8220;The ensemble Toca Loca offered a vibrant short set of works by Georges Aperghis, Dai Fujikura, Louis Andriessen, and Andrew Staniland&#8221; &#8211; The New Yorker</p>
<p>LIKE US&#8230;</p>
<p>&#8220;Depending on your feelings towards Barbie rape, it’s either the best or worst of the fest.&#8221; &#8211; EYE WEEKLY</p>
<p>&#8220;one of the most unique if also convoluted shows at this year’s festival. There is something disturbingly contemplative about the show’s final moments&#8230;kudos for being so adventurous even if the end result is more of a misadventure. &#8211; Plank Magazine</p>
<p>&#8220;I must confess I don’t quite know what to make of the latest Centrediscs release&#8230;from Toca Loca&#8221; &#8211; the Wholenote</p>
<p>JUST WANT TO BE FRIENDS?</p>
<p>&#8220;self-referential, abstraction for its own sake, and the listener ends up feeling lost, left out or perhaps not smart enough.&#8221; &#8211; The Coast</p>
<p>&#8220;The best parts on this album were when they were screaming &#8220;Chiiii-iiiiii-iiiii-iiiii-na!&#8221; and &#8220;Chicken shit! Chicken shit! Chick! Chick! Chicken! Shit!&#8221; over and over. Everything else was just like the soundtrack to a bad horror movie, except the music would have been more horrific than anything in the film.&#8221; &#8211; Chart Attack</p>
<p>&#8220;I take no pleasure in saying this, but mean it very seriously: stop. All of you involved in this production, please, please, stop making this type of rubbish. Whatever you think you are doing, whatever mores you think you are challenging: you aren’t. You’re making shite that neither conforms to typical standards of pleasure nor challenges convention; all you succeeded in doing was gratifying your selfish needs to be on stage. You have robbed me of whatever eloquence I may possess: Just stop.&#8221; &#8211; Mondo Magazine</p>
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